The audible temperaments of verbiage, are oft sensed in a rapturous freneticism of neurological reactivity which is imagined by the perceiving receiver as exorbitantly significant in both meaning and eminence, transcending the bounds of routine mundanity to a new paramount apex of profundity.
This feigned profundity occurs when a particularly loquacious eloquence is employed in the glacially grandiloquent, superfluous, and absurdly ornamented formation of the sentence, utilizing obscure terminologies of great extension such that the unsuspecting perceiver, in their daze of oblivity to the underlying essence and denotation, will assign an original connotation to the verbosity of the bardic enchanter which greatly inflates its perceived magnitude and overestimates its convolution.
Thus, the dreams of ignorance are ignited by the sights of ornately decorated shadows, cast on the wall of linguistic ambiguity, leading the masses of humanity to the sepulchers of delirium by bardic illusionists whose artistic abilities could be put to use for the noble work of angels if devils, with the promise of wealth, had not torn away their opportunities to sing at the altars of vitalizing creativity rather than chant at the podiums of apocalyptic rhetoric.